These last two circumstances are expanded in a collaboration with Il Piccolo Cinema, a project by brothers Gianluca and Massimiliano De Serio, with a screening of the movie Andrò come un cavallo pazzo (1973) by Fernando Arrabal and through a selection of editions, publications and self-published works that trace the value of poetry in contemporary artistic and curatorial practices.Įvgeny Antufiev, Untitled, 2017, fabric, thread, stuffing, teeth, 45x30x10 cm. Aesthetic insomnia transgresses the logic that is now managing the world, attempting to evaluate what is not immediately present and what we cannot govern by taking into consideration a reincarnation of folly and of poetic writing, as a moment of passage towards a metaphysics and a mitophysics of existence. A new doctrine is laid out unbeknown to its protagonists that, abandoning any pretense of coherence, are reunited in the attempt to create a much more complex geometry. The exhibition gives an existential alternative. The reality crisis in which we are living is a crisis of the world, Anthropocene-the signs of danger that warn us against imminent loss. Anguish for the end and its post-apocalyptic tales are remodeled in the exhibition through a new cosmology, creating a new semantics an archeological and medieval aesthetic, a contemporary and prehistoric art, calling in aid the poetic word and filmic narration. Fusion and syncretism create a wonderful routine where memory and fantasy can be practiced anew, together with fairy tales and refrain, modesty and audacity. Empathy becomes the human weapon to enter into communion with the world, vital and political power. It is the principle of metamorphosis, of change and magical fusion, where there are no borders, no boundaries. A metaphysics of existence essentially composed of co-existence and symbiosis substitutes the determinist and technological dogma. Linear narration melts into the material production process, something weird, almost carnival-like confirms the idea of progress as a mirage. Curated by Lisa Andreani and Sonia D’Alto, In the spirit of being with is a soft deviation from the present time, a decoy where the future acts backwards and the past can’t keep still in its grave.
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